Daniel Gibson (b. 1977, Yuma, AZ), lives and works in Los Angeles. He is represented by Almine Rech and Nazarian /Curcio.

Can you talk about childhood memories that have influenced the way you depict desert landscapes?  
 
My first drawings of a desert landscape as a child began with a horizon line. I feel like I still use that line to ground my paintings today. 

How does fantasy continue to shape the narratives you create in your art? 

I feel like the fantasy comes from letting go of the wheel in the drawing process. 

Tell us about the process of choosing your symbols, and what they represent for you personally.

The symbols come naturally over hours of drawing time. I find a symbol that keeps coming to the surface and build a story around it.
   
How do natural elements that take on human-like qualities help you convey the emotions or stories you wish to express?

I connect with my flowers. I want them to talk back to me and ask who they are. Who they want to be in my story. 

In what way has your largely self-guided journey influenced your style and the development of your unique visual language? 

I just use what I have. If I can’t feel it I don’t use it. I try to limit the amount of tricks I can use. It keeps me honest. 

Which artists would you like to be in a group show with in the future? 

Matthew Sweesy. 

What can we expect from your upcoming show at Nazarian / Curcio?

13 beautiful paintings about life and death.